Canon Announces New DSLR, Pro Lenses & Extenders

By Diane Berkenfeld

With Canon Expo happening next week in New York City, one had to wonder whether or not there would be any photography announcements coming this week from the company. The answer is a definite yes! Canon today introduced the EOS 60D DSLR, a replacement to the EOS 50D. The camera is designed for advanced amateurs but we’re sure to see it show up in the gear bags of pro shooters too. Canon also introduced four pro lenses and two tele-extenders. The lenses include new 300mm f/2.8 and 400mm f/2.8 prime telephoto lenses—pro glass for sure, with hefty price tags.

eos60d_hand product shot for picture-soup.com announcement article

The 18MP EOS 60D is Canon's first DSLR to utilize a vari-angle LCD.

The EOS 60D is Canon’s first DSLR that utilizes a vari-angle LCD. The 3-inch LCD can be tilted up or down for ease of use when shooting stills or video. Ideal for capturing very low-angle or overhead shots that would otherwise be hard to compose.

The EOS 60D offers 18MP of resolution, utilizing an APS-C sized image sensor, and utilizes Canon’s proprietary DIGIC 4 image processor. Other features include a new 9-point AF system, Canon’s pro-level iFCL Metering System, and a frame rate of full resolution images up to 5.3 frames per second. ISO range is 100-6400 expandable to 12,800. Images are recorded to SD media, and the camera can utilize the newer SDHC and SDXC media cards. The camera also features a built-in pop-up flash with integrated Speedlite Transmitter that can control up to two groups of off-camera Speedlights.

The camera also features a number of EOS “firsts” including a new Multi-Control Dial which offers streamlined camera navigation. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer’s selected shooting mode. In-camera RAW image processing features let you edit in-camera, producing optimized JPG files without effecting the RAW data. This feature lets you process Picture Style, White Balance, Color Space, High-ISO Noise Reduction, and more. The EOS 60D also offers a new image resizing function which lets you downsize full resolution JPGs for display on HDTVs or for quick uploading to the web. The downsized image file is saved along with the original high-resolution file.

Canon also added new creative filters, which have been incorporated into the Canon PowerShot point and shoot cameras for some time. These artistic filters let you create a second “filtered” JPG file leaving the original RAW or JPG file unaffected when used applied to a captured still image. The four creative looks include soft focus, grainy B&W, “Toy Camera” and Canon’s Miniature Effect which simulates the look of a tilt-shift lens.

In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D camera’s movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Standard Def. video can also be captured

An in-camera movie editing feature has also been added to the camera. The EOS 60D also includes Canon’s Movie Crop mode, which allows you to achieve 7x magnification when shooting SD video. When using this mode, the camera crops the image directly from the CMOS sensor at full SD resolution.

The Canon EOS 60D DSLR camera is scheduled to hit store shelves in late September. MSRP for the body-only is $1,099. The camera will also be offered in a kit version with the Canon EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1,399. The Canon BG-E9 battery grip accessory is expected to ship at the same time with an estimated price of $270.

New Pro Lenses and Tele-Extenders

Canon also introduced four new L-series lenses and two tele-extenders for the pro. They are the EF 8-15mm f/4L Fisheye USM lens, EF 70-300mm f/4.5-5.6L IS USM lens, and two fast prime lenses: EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM super-telephoto lenses; and two new tele-extenders: Canon Extender EF 1.4x III and Extender EF 2x III.

Immediately noticeable to Canon shooters is the fact that these new L-series lenses feature a more neutral white tone than earlier lenses. This new shade of white will be used for all future Canon L-series lenses.

Canon EF 8-15mm f/4L Fisheye USM lens

Canon EF 8-15mm f/4L Fisheye USM lens

According to Canon, the EF 8-15mm f/4L USM is the world’s widest fisheye zoom lens. It delivers 180º diagonal angle of view images for all EOS DSLR cameras whether they utilize a full-frame image sensor or the smaller APS-C sensor. The lens provides 180º circular fisheye images for full-frame EOS cameras. Both still photographers and cinematographers are sure to love this new lens.

The Canon EF 8-15mm f/4L Fisheye USM lens is expected to be available in January 2011 for an approximate retail price of $1,400.

Canon EF 70-300mm f/4-5.6L IS USM lens

Canon EF 70-300mm f/4-5.6L IS USM lens

The EF 70-300mm f/4-5.6L IS USM lens is the ideal telephoto zoom lens for advanced amateurs. An updated optical image stabilization system compensates for camera shake up to an equivalent of four full shutter-speed steps, a full step improvement compared to earlier EF 70-300mm lenses.

The Canon EF 70-300mm f/4-5.6L IS USM lens is expected to be available toward the end of October for an approximate retail price of $1,500.

Canon EF 300mm f/2.8L IS II USM lens

Canon EF 300mm f/2.8L IS II USM lens

The Canon EF 300mm f/2.8L IS II USM is the sixth generation of the Canon 300mm f/2.8 lenses that first appeared in 1974. This lens features a lighter weight, improved Image Stabilization, and enhanced durability. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation. Canon has enhanced the durability of this lens by using more magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches. Additionally, a new security slot attachment has been included on this lens to allow a wire-type security lock to be easily affixed, a great safety feature for professionals shooting from high vantage points above arenas and crowds.

The Canon EF 300mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $7,000.

Canon EF 400mm f/2.8L IS II USM lens

Canon EF 400mm f/2.8L IS II USM lens

Ideal for the professional sports photographer, Canon’s EF 400mm f/2.8L IS II USM is the fifth generation in Canon’s 400mm f/2.8 series and the successor to the current EF 400mm introduced in 1999. The new lens is lighter than its predecessor. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation. Canon has enhanced the durability of this lens by using more magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches. The new security slot attachment has also been included on this lens as well.

The Canon EF 400mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $11,000.

Canon Extender EF 1.4x III & Canon Extender EF 2x III

The Canon Extender EF 1.4x III & Canon Extender EF 2x III are direct replacements of the current extenders offered by Canon. They have been designed to provide faster autofocusing and improved AF precision with compatible EF lenses. Each extender features a newly developed microcomputer that increases AF precision when the extenders are used with a IS Series II EF super-telephoto lens.  Both extenders are equipped with rubber gaskets and seals to enhance weather resistance.

The Canon Extender EF 1.4x III & Canon Extender EF 2x III are expected to be available in December for an approximate retail price of $500 each.

For more information, go to www.cusa.canon.com.

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Kubota Imaging Tools Bows “Vintage Delish” Lightroom Presets

vintagedelishpresets for picture-soup.com articleKubota Image Tools today announced the immediate availability of its latest package of Adobe Photoshop Lightroom presets—Vintage Delish—which includes 42 custom develop presets that will let you give your photographs the look of aged or faded films, funky cross-processing, deep vignettes, color-toned black and whites, and much more. The presets are fully compatible with Lightroom 3 for the Mac and PC. (You can use them with Lightroom 2, but not all presets may offer full functionality.)

The Vintage Delish presets cost $39. and can be purchased and downloaded from http://www.KubotaImageTools.com/VintageDelish.html.

Look for our review coming soon!

— Diane Berkenfeld

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Nik Software Announces HDR Efex Pro Plug-In

HDR_Efex_Pro_Boxforweb for picture-soup.com announcement articleNik Software today announced HDR Efex Pro, a completely new HDR imaging toolkit designed to help photographers quickly and easily achieve the full spectrum of HDR enhancements from the realistic to artistic.

High dynamic range or HDR photography is the process whereby you capture multiple exposures of a scene or subject (over- and under-exposing), and then align and merge them to generate a single image that enables a much wider range of colors, highlights, and shadows. According to Nik Software, HDR Efex Pro overcomes limitations in other software tools with a revolutionary all-in-one approach that enables both realistic and artistic effects to be applied within a single tool.

The plug-in is ideal for both pro and amateur photographers. HDR Efex Pro gives you single-click HDR imaging with categorized style presets, precise selective fine-tuning using Nik Software’s proprietary U Point technology, advanced alignment and ghost reduction, full access to shadow and highlight details, and new tone mapping algorithms. Color, contrast, and vignette controls enable you to further enhance your images to create amazing results.

HDR Efex Pro also lets you create the dramatic HDR look from a single image. This feature enables you to reprocess images in which either an exposure series was not previously shot or for subject matter that does not lend itself to multiple exposures, such as portraits or moving water.

Nik Software’s HDR Efex Pro plug-in works with Adobe Photoshop, Lightroom, and Apple Aperture. HDR Efex Pro installs as a 32-bit or 64-bit plug-in for Photoshop CS3 or later, Lightroom 2.3 or later, or Aperture 2.1 or later.

Screenshot of an image in Nik Software's HDR Efex Pro. Image courtesy Nik Software.

The plug-in will be available in Q4 in both boxed delivery from photo specialty retailers select online and national resellers (complete list of Nik Software resellers may be found at www.niksoftware.com/resellers) and electronic download from the company’s website . MSRP for HDR Efex Pro is $159.95.

For more information, go to www.niksoftware.com.

— Diane Berkenfeld

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Alien Skin Releases Bokeh 2 Plug-In

Alien Skin has announced the immediate release of Bokeh 2, the latest version of its lens simulation plug-in for Adobe Photoshop and Lightroom. Bokeh lets photographers hone in on their subjects by manipulating focus, vignette, and depth of field in post production.

Bokeh 2 accurately simulates the distinctive blurring and creamy highlights of real lenses. The company achieved this by working with lenses famous for their bokeh—including the Canon EF 85mm f/1.2 and Nikon 105mm f/2.8 Macro.

New Features

This new version of the software also lets you render film grain to match the original photo, making the image look more natural. The plug-in also has been enhanced so you can see real-time changes to your image while working on it. Other new features include the ability to simulate the effects of tilt-shift lenses and add creative shapes to the highlights in your image. And the addition of factory presets means that new users can begin experimenting right out-of-the-gate.

The Bokeh 2 plug-in is compatible with Adobe Photoshop CS3 or later; Lightroom 2 or later; Photoshop Elements 7 or later; and Corel Paint Shop Pro Photo X3. For photographers using Windows-based PCs, you must have at least a Pentium 4 processor and Windows XP SP3 or later. For Mac users, an Intel processor and Mac OS X 10.5 or later is required. The plug-in works with the 64-bit version of Photoshop CS5 on both the Mac and PC. The company suggests a monitor with the resolution of 1024×768 be used.

Bokeh 2 retails at $199. Upgrades from Bokeh 1 will cost $99. For photographers who purchased Bokeh 1 in April 2010 or later, the upgrade will be free.

For more information go to www.alienskin.com.

Look for our review of Bokeh 2 in the near future!

— Diane Berkenfeld

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Sinar p-slr Incorporates 35mm DSLR and View Camera in One

Sinar Photography AG, introduced the Sinar p-slr, professional attachment for 35mm DSLR cameras to Sinar view cameras earlier this summer.

The Sinar p-slr was designed for photographers who want to the advantages of working with a view camera and the convenience of a DSLR.

(l. to r.) Sinar p-slr with Nikon DSLR; Sinar p-slr with Canon DSLR for picture-soup.com article

(l. to r.) Sinar p-slr with Nikon DSLR attached to shoot horizontal; Sinar p-slr with Canon DSLR attached, ready to shoot vertically.

Large format photography allows for the exact control of perspectives and selective sharpness which can be set and evaluated precisely on a view camera.

The modular Sinar p-slr allows photographers using Canon or Nikon bodies to add view camera movements and the use of Rodenstock or other medium/large format lenses to their photography. Adapters for other brands of DSLRs are available.

A quick locking adapter that comes with the Sinar p-slr allows photographers to switch between horizontal and vertical shooting in seconds. You can also shoot tethered to a computer as well as add an external monitor for easy viewing of images in a studio shooting environment.

A positioning- and centering aid serves for the exact positioning of the digital single lens reflex camera on the optical axis. That ensures that the sensor of the digital camera is positioned perfectly for vertical as well as horizontal exposures. This function is essential for making full use of the advantages of the view camera.

The Sinar p-slr joins such other large format cameras that offer incorporation of 35mm DSLRs such as Horseman and Cambo cameras.

MSRP for the Sinar p-slr is just under $8,000.

For additional information, visit www.bronimaging.com.

— Diane Berkenfeld

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Sigma Announces Availability of New 70-200mm f/2.8 Lens

Today, Sigma Corporation of America announced the availability in the U.S. of its new, optically stabilized APO 70-200mm f/2.8 EX DG OS HSM lens, which contains the company’s new “F” Low Dispersion (FLD) lens glass. The MSRP of the lens, which was first announced at PMA earlier this year is hefty, at $2,470.

Currently the APO 70-200mm f/2.8 EX DG OS HSM lens is available in the Canon mount, and will soon be available in Nikon, Sigma, Sony, and Pentax mounts. The lens is a second generation lens, designed for use with full-frame DSLR cameras, but it can also be used with DSLRs that utilize the smaller APS-C sensors. The 70-200mm lens effectively becomes a 100-300mm focal length lens when used on an APS-C camera. When used on a camera that features the smaller image sensor, a dedicated hood adapter is used that expands the length of the lens hood so as not to vignette images.

The lens incorporates Sigma’s Optical Stabilization (OS) technology. Sony and Pentax photographers can use either the internal OS or OS capabilities of the lens. Minimum focusing distance is 55.1-inches throughout the entire zoom range.

For information about Sigma Corporation of America, visit www.sigmaphoto.com.

— Diane Berkenfeld

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Gary Fong Launches GearGuard System for Cameras and Camera Bags

Gary Fong, pro photographer and developer of photographic accessories, known for his portable lighting products has launched a new line of products for photographers. Called GearGuard, the line consists of a series of camera and equipment security devices. The flagship products include the GearGuard Camera Body Lock and the GearGuard Bag Lock, both of which are designed to safeguard a camera from the snatch-and-grab thief.

gary fong gearguard body lock for picture-soup.com news item

The GearGuard Camera Body Lock attached to a camera at the tripod mount..

The GearGuard system uses a Camera Body Lock that attaches to the camera, a security cable and combination lock. The Camera Body Lock attaches to the camera’s tripod mount and can remain attached during shooting. The screw, which attaches the lock to the camera body, features a threaded port, enabling the camera to maintain full compatibility with a tripod, ballhead or quick release plate.

The GearGuard Bag Lock further prevents roaming hands from getting into a camera bag by attaching to the Quick-Release closure on the bag.

gary fong gearguard body lock for picture-soup.com news item

The GearGuard Bag Lock covers a camera bag's quick-release lock so the bag can't be opened. We assume that for this to work as it is designed, any compartment zipper needs to be zippered shut before the lock is put on.

“For years, photographers have had serious concerns about the vulnerability of their equipment  to theft while they’re busy shooting an event or working with customers, and we all have horror stories about expensive gear turning up missing. Whether you measure the value of your camera and gear in hundreds or thousands, our compact GearGuard products will ensure safe travel and storage at an affordable price,” said Gary Fong, photographer and CEO of Gary Fong, Inc. “With the launch of our GearGuard line, photographers can safely devote their full attention to their craft rather than continually worrying about their costly equipment.”

Both the GearGuard Camera Body Lock and the Bag Lock (which is sold as a set of two units) are sold for $9.95.  The Combination Lock and 36” steel security cable is sold separately for $9.95.

The company plans to expand the GearGuard line in the future. For more information, go to www.garyfong.com.

— D.B.

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Sigma Announces Immediate US Availability of SD15 DSLR

sigma sd15 dslr picture-soup.com imageYesterday, Sigma Corporation of America (www.sigmaphoto.com), announced the immediate US availability of the 14MP SD15 DSLR with an estimated street price of $989. The camera was originally introduced during photokina 2008.

“Our plans for the SD15 were originally shared with the photo community at photokina in 2008 because we wanted our customers to know that we’re committed to the SD camera system and our outstanding Foveon technology,” said Mark Amir-Hamzeh, general manager of Sigma Corporation of America. “It’s been long-awaited, for sure, but it’s worth the wait. We are really pleased with the image quality we’re getting from this camera.”

The Sigma SD15 uses the Foveon X3 direct image sensor. The SD15 also utilizes Sigma’s True II image processing engine, a new 77-segment AE sensor, large 3-inch LCD, improved user interface, and the SecureDigital (SD) media card for recording images. The camera also ships with Sigma’s Photo Pro (SPP) 4.0 software. Sigma has expanded the auto bracketing feature from three to five frames for added flexibility.

Other features include a 5 point AF, an added ISO stop of 3200 for a full ISO range of 50-3200, Analog Front End (AFE) and larger buffer than the previous model, the SD14. The SD15’s buffer allows for the shooting of 21 raw images continuously. The SD14 was only capable of shooting six raw images continuously.

The SD15 utilizes the Sigma SA bayonet mount for lenses. The camera features a diopter adjustment; single AF, continuous AF, and manual focus modes; eight white balance settings including custom; exposure compensation; X-sync at 1/180 of a second, hot shoe and sync terminal, manual pop-up built-in flash and S-TTL Auto Flash metering system. Compatible Sigma external flash units include the EF-530DG Super, EF-530DG ST, and EM-140 DG. Optional compatible accessories include a battery power grip, remote controller and cable release switch.

The SD15 is the latest in the company’s SD series of digital single lens reflex camera bodies to utilize the Foveon X3 direct image sensor. The 14MP Foveon X3 sensor captures all primary RGB colors at each pixel location arranged in three layers.

sigma x3 sensor description between film, normal sensors and the x3, picture-soup.com

The camera writes raw files using the .x3f raw data format. Images can be recorded in lossless, 12-bit raw or Jpeg. File sizes range from a 15.4MB file for the highest quality raw setting to 1.9MB for a high quality Jpg, and 0.3MB for a basic, low quality jpg file.

Sigma has posted a sample image gallery at www.sigma-sd.com/SD15/sample-photo/index.html.

The company’s YouTube channel hosts video tutorials of both the SD15 and the new version of the SPP software. It is accessible at http://www.youtube.com/user/SigmaAmerica.

— Diane Berkenfeld


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Alien Skin Software Announces Immediate Availability of Exposure 3 Plug-in

picture-soup.com new gear announcement exposure 3Alien Skin Software today announced the immediate availability of the Exposure 3 plug-in for Adobe Photoshop CS5. Exposure 3 is the latest version of the company’s plug-in that provides photographers with film simulation as well as a range of creative effects.

The first iteration of Exposure was mainly a film simulation tool allowing photographers to give their digital images the look of their favorite film emulsions. Exposure 3 adds the look of Lo-Fi cameras such as the Holga and Lomo, as well as vintage looks including Technicolor movie film and old Kodachrome that’s distressed with dust, scratches and vignettes to appear aged.

In addition to the new film styles, Exposure 3 will provide users with an improved interface, faster preview and hover help. The software offers over 500 presets that lets you give images a complex look with only a single click of the mouse. Hundreds of settings in all categories are new—including more films, color toning and aging.

Computer Requirements

Exposure 3 offers 64-bit support for Photoshop CS5 on both the Mac and Windows. The plug-in can also be installed in Adobe Lightroom without Photoshop needing to be installed too.

Exposure 3 is compatible with Adobe Photoshop CS3 or later, Adobe Lightroom 2 or later, Adobe Photoshop Elements 7 or later, and Corel Paint Shop Pro Photo X3. PC computers need to be running at least a Pentium 4 processor or compatible processor and Windows XP SP3 or later. Apple users must be running an Intel processor and Mac OS X 10.5 or later. A monitor with 1024 x 768 resolution or greater is required.

Alien Skin Exposure 3 sells for $249 for the full version, and upgrades from any previous version are $99.

Check out Alien Skin’s website at www.alienskin.com for its large library of tutorial videos.

—Diane Berkenfeld

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